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Irene Pantelis

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Irene Pantelis

  • Home
  • Of water too are the grasses
  • Cactus of the sands
  • When time is a keyhole
  • Mapping blemishes
  • Quipu reverberations
  • Beneath my lawn
  • Marks of existence
  • Soft edges
  • Becoming a fossil
  • Murals & Commissions
  • Bio
  • Contact
Mineral roots (2022)

Cactus of the sands

These drawings were inspired by the simple form, stark environment, and complex history of the copiapoa cactuses that grow in the Atacama Desert. I found solace in the tranquil indifference with which these centuries old cactuses have grown, since times unknown, against all odds, in the oldest and driest desert of the world, a land of uttermost solitude, finding sustenance in just fog and sunlight. At the same time, their current predicament, facing extinction in habitat, mostly due to poaching, mining and climate change, was also present in my mind, adding a larger significance to this exploration, leading me to imagine these cactuses as existential talismans, living fossils of the sands.

Cactus of the sands

These drawings were inspired by the simple form, stark environment, and complex history of the copiapoa cactuses that grow in the Atacama Desert. I found solace in the tranquil indifference with which these centuries old cactuses have grown, since times unknown, against all odds, in the oldest and driest desert of the world, a land of uttermost solitude, finding sustenance in just fog and sunlight. At the same time, their current predicament, facing extinction in habitat, mostly due to poaching, mining and climate change, was also present in my mind, adding a larger significance to this exploration, leading me to imagine these cactuses as existential talismans, living fossils of the sands.

Mineral roots (2022)

Mineral roots (2022)

Inks and color pencil on vellum, 19.5 x 19.5 in.

Winner of an Honorable Mention, Positive/Negative 38th National Juried Exhiibition, Tennessee State University, Slocumb Galleries, Johnson City, Tennessee (awarded by Mark Scala, Chief Curator of the Frist Art Museum in Nashville)

Moist (2022)

Moist (2022)

Inks on vellum, 19.5 x 19.5 in.

Winner of an Honorable Mention, Positive/Negative 38th National Juried Exhiibition, Tennessee State University, Slocumb Galleries, Johnson City, Tennessee (awarded by Mark Scala, Chief Curator of the Frist Art Museum in Nashville)

Uttermost solitude (2022)

Uttermost solitude (2022)

Inks on vellum, 19.5 x 19.5 in.

Tranquil (2022)

Tranquil (2022)

Inks on vellum, 19.5 x 19.5 in.

Earthly rings (2022)

Earthly rings (2022)

Ink on vellum, 19.5 x 19.5 in.

Fragrant (2022)

Fragrant (2022)

Inks on vellum, 19.5 x 19.5 in.

In the whip (2022)

In the whip (2022)

Inks on vellum, 19.5 x 19.5 in.

Prickly health (2022)

Prickly health (2022)

Inks on vellum, 19.5 x 19.5 in.

Since times unknown (2022)

Since times unknown (2022)

Inks on vellum, 19.5 x 19.5 in.

Plume (2022)

Plume (2022)

Inks and color pencil on vellum, 19.5 x 19.5 in.

Los sueños del erizo/Wishful thinking (2022)

Los sueños del erizo/Wishful thinking (2022)

Ink and color pencil on paper, 37.5 x 31 in.

Brotes centenarios/Hundred year old sprouts (2022)

Brotes centenarios/Hundred year old sprouts (2022)

Ink, color pencil and mesh on paper, 16.5 x 16.5 in.

Envueltito (2022)

Envueltito (2022)

Ink, color pencil and mesh on paper, 16.5 x 16.5 in.

Los cactuses de la costa desde el espacio/Satellite view of the remaining cactus mounds (2022)

Los cactuses de la costa desde el espacio/Satellite view of the remaining cactus mounds (2022)

Ink, acrylic and color pencil on paper, 37.5 x 25 in. (private collection)

Review: Mark Jenkins, "In the Galleries: The art of looking inward to create societal change/Irene Pantelis," Washington Post, February 11, 2022

Review: Mark Jenkins, "In the Galleries: The art of looking inward to create societal change/Irene Pantelis," Washington Post, February 11, 2022

Many thanks to Adah Rose Bitterbaum for curating this exhibition

2016-2025 © Irene N. Pantelis

POWERED BY SQUARESPACE.